Often when J and I are writing, we will borrow from the world of film the idea that we can fix what’s wrong in “post.” Of course, this is just our silly way of referring to revision, but I thought about the idea, and the trope, more seriously when I was working on my ill-fated NaNo novel. Granted, unlike a film, a novelist can always go back and “reshoot” (rewrite) a scene to get what she needs, but I think there’s something to be said for having the raw materials you need before you get to the revision process.
Now, I’ve never made an exact study of the numbers and percentages, but let’s say in a novel that has been properly outlined and researched ahead of time and is drafted thoughtfully, it will have 10-20% changed significantly in revision. When I start a novel knowing that eventuality is coming, that is something I can live with at this point, because I’ve written enough to appreciate that writing is rewriting. But then on a novel like The Queen’s Tower, my NaNo book from two years ago, I went in with a tenuous outline and characters I didn’t know especially well. I finished the first draft of that knowing I would be changing around 20-30% of what had been written, plus adding about 30% entirely new content. That’s pretty daunting, and probably why I still haven’t finished the novel.
And that brings us to this year’s NaNo novel, The Swift True Road. Not only did I not start with the level of detail to my outline I prefer, but I didn’t do as much character work as I would have liked, and being my first historical novel, I quickly realized I hadn’t done even close to enough research. Because it was NaNo, I kept plowing along, but around 35,000 words in, I realized I would be completely reworking at least 50% of what I had already written. Knowing I would be chucking half of what I was laboring so hard to write became discouraging to the point that I didn’t have the heart to continue writing the novel. It also seemed to be a supreme waste of time.
As J pointed out last week, I decided to set The Swift True Road aside, and I went to work on other projects to see me through the month of November, and make certain I still wrote 50,000 words for the month. At some point, I absolutely intend to return to The Swift True Road. I still think it’s a great idea for a book, a romance between two mercenaries in Renaissance Italy, but I’m not going to pick it back up again until I’m sure I can successfully draft a novel that will leave me with the pieces I need to polish a good story in post.