It’s been a very busy week. Seriously, you have no idea. But I’ve still had time to read, here and there. I’m working my way through Joe Abercrombie’s Best Served Cold, which is very good. I’m about 80% of the way through, and I just discovered that one of my favorite characters isn’t dead after all. Which wasn’t really much of a surprise—I had a feeling he might still be alive. It wasn’t hard to guess, really. When someone gets stabbed, and his friends leave him, assuming he must be dead, that’s almost like when they say, “No body was ever found,” on a soap opera. But anyway, I’m enjoying the book.
I also listened to The Book of Three on audiobook. That’s the first book in Lloyd Alexander’s Chronicles of Prydain, of course. I should probably have read all those books when I was a kid, but I never did. In fact, I’m not even sure I knew they existed, which is a shame. If you read through the reviews on the Goodreads page, you’ll see a number of people grousing about how it’s full of fantasy clichés, or about how it’s a “blatant” Tolkien rip-off. Which I think is a bit unfair. Clearly Alexander is just drawing from the same sort of mythological sources that Tolkien used.
Also, Tolkien, no matter how awesome he may be, never had a female character like Princess Eilonwy. I like her a great deal, and I am quite serious when I say that she pretty much singlehandedly lifts the story from being run-of-the-mill YA fantasy. One reviewer on Goodreads, several pages in, calls her “an irritating twit,” only with a different vowel, and I suppose it says something about the sort of characters I like that my first thought was, “So, what’s your point?”
But it’s not just reading that’s been keeping me busy. This is our last full week of Camp NaNoWriMo, and we’re still in the middle of planning our next big novel. We have the whole thing outlined, and each chapter has been broken down into 400-700 word chunks. That takes a good deal longer than you might expect. When I do this by myself, I wouldn’t try to fully outline more than five or six chapters in a single day. It really just makes your brain melt. And that’s because, as I like to tell people, the outline is really the first draft of the story. It’s just the one where you don’t have to worry at all about how you phrase things. You just think about the plot and the character arcs. And it’s easier to see where things are missing (“Hey, this guy is supposed to be a main character, but he’s disappeared for ten chapters now”).
Now that we’re done outlining, you might imagine that it’s time to get started writing. Or rather, you might imagine that if you’d never met us. No, it’s not time to write—it’s time to make maps!
Last night, we started making a map for Leornian, one of the main cities of our Myrciaverse, and the ancient capital of Myrcia. It’s a city our characters have visited many, many times in many, many books, and yet we’ve never gotten around to finishing a map of it. I mean, we started a map, eight or nine years ago, but looking at it now in the sketchbook, it seems that we got about a quarter of the way through and then stopped for some reason. Maybe we went to take a nap or something.
Anyway, we’re finishing it now. Or rather, we’re starting from scratch, using that good old standby of fantasy mapmakers: blatant theft. We’re taking a map of Florence, turning it around, and moving things around in GIMP to match the image of the city in our heads. As I’ve noted before, this is a much faster way of doing things, and in some ways, much better. Adapting real maps of real places helps to keep your maps grounded in reality. You have some assurance that the city you’re planning is possible, because you know for certain that a city like it exists.
Using a real map as a starting point also helps to keep things more or less to scale. We have a cathedral in our universe that’s over 900 feet long—far, far larger than any real cathedral—and that mainly happened because we forgot to check the scale when we drew it. Since then, we’ve rationalized and lampshaded so that a 900 foot cathedral makes sense (wizards built it, I imagine), but yeah, if we could do it over again, it would probably be smaller than that.
Of course, if you need to change the scale, you always can. But very carefully. This weekend I finished the map for a different one of our cities, which will be a major location for the book, as well. That’s the map at the top there. It’s based on Carcassonne, France, though I changed the scale a bit, making it quite a bit bigger than Carcassonne.
Once we’re done with the maps, I suppose it will finally be time to start writing. Assuming we don’t find something else to do. Some people might think this is all a waste of time, but it’s not. If we’d taken the time to finish that stupid Leornian map seven or eight years ago, we wouldn’t be doing it now. And if we take the time to finish it now, we’ll be thanking ourselves seven or eight years from now, when we need it again.