Here at Unicorn HQ, we have a three-day weekend, which means plenty of time for writing projects. At the moment, of course, we’re just sitting around drinking coffee, but we’ll get back to work later on. Maybe after we go grocery shopping. But rest assured, we’ll be hard at work sometime soon.
Last night, we worked on the outline for S’s latest fanfic saga. Maybe at some point she’ll post some more about it, but for now all you need to know is that it’s a sort of romance story with a love triangle. As originally conceived, it was all about the romance, though with just enough plot to explain how, at various points of the story, two of the three members of the triangle get into rather serious trouble. (I can’t say how they get in trouble, because that would be a spoiler.)
So a few weeks ago, S started posting chapters of this fanfic at her favorite fanfic-publishing site. And an odd thing happened. It turned out that her readers were actually quite interested in the plot. They liked her original characters and said they were looking forward to seeing what happened later.
You can see her problem now, can’t you? The plot was never intended to be important. It was just window dressing—an excuse to get the members of the love triangle in position (as it were) for their romance to blossom. Now S suddenly realized that she really needed to flesh out the plot. And that meant going back and outlining again.
We got out the butcher paper, rolled it out on the floor, and she wrote out a quick summary of each chapter. Then we went through, figured out where the plotting and political intrigue could be expanded, and wrote it in with a pencil. After that, we did some quick character profiles for some of her original characters. In the story as originally written, these people barely showed up. But if they’re going to become a bit more important, S needs to know what they look like, where they’re from, and what their motivations are.
This kind of re-outlining is always a bit tricky. When you write a scene, it hopefully has a certain flow or rhythm to it. So it’s not always easy to find places to add new information. Let’s say you have a scene where Susan and Bob are talking about their friend Frank. And in your new outline, you’ve decided (for some reason) that it’s really important to find some way to mention that Susan and Frank went to college together. Maybe that could be entirely straightforward—rather than telling a story about something stupid Frank did at last year’s office Christmas party, you can just change that so it’s a story about something Frank did at a frat party in college. Bingo—you’ve got that information into the scene for the reader to see, and almost nothing had to change.
Sometimes, though, you’re left pulling your hair and banging your head against the keyboard, thinking, “There’s no where to put it! There’s no reason why Susan’s college years would ever come up in this conversation!” Now you’re faced with either rewriting the conversation from scratch, or writing a new scene. Which means more outlining, of course.
But that’s what you have to do, and that’s what we’re up to this weekend. Also, I’m still working my way through the reference guide that I’m writing about the main city in the Myrciaverse. Last night I invented a number of markets and shopping districts. It’s good fun. Just the thing for a cold winter afternoon.