I’m finally close to finishing Oleg Omdahl 3, Fiat Justitia, and I, in fact, wrote most of the climactic showdown last night. (Although I went to bed before I had to write a character death. I was tired and it was past midnight, and the character deserves my full attention.) Once I finish up that chapter, there are just two chapters of denouement, and draft one of the book will be written.
But before I started the showdown, J helped me draw a map of the area where it would be taking place. There’s some fighting and wizard spells flying around and all that good stuff, so I figured it was finally time to get an exact picture of the area and stop settling for, “Well, you see, there’s this alley, and the building is somewhere in these few blocks.”
This was helpful so I understood the space and also so I could have references to help the reader know where the action was taking place. Also, since we needed to fill the area, it finally gave us the opportunity to place the offices of a company we’ve been writing about since J invented them about 5 years ago, and we’ve both now mentioned multiple times.
Yes, maps take time, and they can be a distraction, but I’ve never failed to find some important detail that makes my story better when drawing or looking at them. In fact, the entire plot of the second Oleg novel, The Science of Fire, came from me looking at the original map J and I made when we first created the Myrcia ‘verse. Until I really looked at the map, I’d never noticed a little quirk in the border of two countries, but once I saw it, well, it changed everything.
Now, the real question is how much trouble could I get into if I start learning 3D imaging like I keep threatening?